Spring At Detroit Garden Works: An Addendum

As I was writing about the spring opening of Detroit Garden Works, it occurred to me that what the shop does best is reflect the taste and sensibilities of a wide range of gardeners. I have Rob to thank for that. Many years ago I made a landscape design call to a client whose house and art were of a contemporary ilk. On his rear terrace was a classical and traditional Smith and Hawkins teak bench. That disconnect made me blink. I suggested that he find some terrace furniture that more accuratetly represented his aesthetic.  So called contemporary garden ornament has been available for commercial projects for a long time-if you equate simple and functional with contemporary. I am thinking urban trash receptacles, bike racks and giant fiberglass cylinder planters. What was readily accessible to private gardeners was meager. Times have changed in that regard.

Shopping European markets has also made a big difference in the style of ornament we are able to offer.The Belgians, Dutch and French have been of a contemporary mind in the garden for quite a while. The containers pictured above are made from recycled tires from a manufacturer in France. They would look very disconcerting in my garden, but my client with the contemporary art collection would feel right at home with them.

I probably have said this before, but it is worth repeating. Any idea about period or style that you express indoors is fine to take outside. And advisable. A well done landscape does have an aura- an aura of genuine expression of some kind or another is unmistakable. A judicious selection of garden ornament is a strong and vibrant way to indicate an aesthetic point of view in the landscape.

A tree is a tree, with its own aura. That same species planted in a random grove in tall grass creates a different aura, driven by the aesthetic of the gardener in charge. A collection of that same tree planted in a grid could have a very formal aura-or a contemporary one. A garden ornament added to any one of these landscapes can organize and make the intent of that gardener clearer. This room at the shop is interesting, in that it takes traditional objects, and by association with more contemporary ones, gives those traditional ornaments a more contemporary aura. In the above picture, vintage French galvanized metal seed pans were lined up and stacked on a shelf against the far wall. The overall shape and grid has a very contemporary feeling, though I am sure the pans were originally used as a simple growing tool. The traditional glazed French jarre with a cream rim in the foreground is a very traditional shape. Paired with a vintage modern teak garden furniture set, the clean lines and simple shape of the container becomes its dominant visual characteristic.

On the walls in the background of this picture, a pair of antique French conservatory windows look at home in a more contemporary setting.  Their visual meaning is about their simple geometry, and not about their history. I would imagine the conservatory they came from was probably of a traditional sort.

The birdbath in the above picture is an antique piece from England. It is easy to imagine it in a classical English garden. But I suspect it could be right at home in a more austere and modern garden. To determine whether a classical piece might work in a contemporary garden, I try to ignore where or how the piece might have been used, and concentrate on its overall shape. The short version is to appreciate it in the abstract, and without preconceived notions.

The urn pictured in the opening above has a very traditional connotation and shape. Its visual aspect is in strong contrast to the concrete bowl planters placed on top of the wall. Each asks for a specific kind of garden.

I have seen lots of fish ornaments for gardens.  Some are whimsical.  Others are accurate to a specific shape and color of a kind of fish.  These French made steel sardine garden stakes have a sleek and contemporary look. They represent in the abstract the rhythm and sparkle of a school of fish in water. Rob has used these in contemporary container arrangements to great effect.

The vintage containers on this shelf have a decidedly modern feel.

This grill bears no resemblance to the Weber of my childhood. Contemporary fixtures for kitchens have been around a good while.  It is so great to see them becoming available for the outdoor kitchen. This Ofyr grill uses wood as a source of heat, and the top rim is a cooking surface as well as the grate.

This collection of grape gathering baskets have quite a history, but attached to a wall and planted in an architectural way, they could be a welcome addition to a contemporary garden.

This contemporary version of birds on a wire come from the same French company that makes our sardine stakes. They come with one, two, or three birds wide at the top. Oh the possibilities, for a contemporary garden maker.

The Cotehele Holiday Garland

Courtesy of an article in the holiday issue of the British edition of Country Living, I became acquainted with a National Trust property in England known as Cotehele. The property features a rambling stone manor house built in the 14th and 15th centuries, on 1300 acres of property.  It is one of the oldest and most well preserved Tudor houses extant in England today.  It has been owned and maintained by the National Trust for a very long time. People visit for the gardens, art and tapestries, and events. They support the Cotehele conservation efforts. Country Living visited for the Christmas garland, which has graced the Great Hall from late November through the beginning of January, since 1956.

The story of the Cotehele garland is an enchanting one. The project takes about a year, start to finish. All of the flowers that go in to the garland are grown at Cotehele. In a good year, 35,000 flowers will be grown and dried especially for the garland. The seed which gets ordered in December will be sprouted, and transplanted into individual planting packs. Grown on until they are sturdy enough to go in the ground, many thousands of seedlings are planted out in April. Both staff gardeners and volunteers help plant, tend, and harvest the flowers.

At harvest time, the flowers are cut, and bunched for drying. The flowers are hung upside down in the attic above the kitchen to dry. The varieties of flowers grown are different every year, but the garland is predominantly populated by white flowers. One year the garland was constructed in commemoration of the end of World War 1, and featured red white and blue flowers. The Cotehele garland not only takes months to create, but it is organized around an idea decided upon prior to construction.  The garland is not only beautiful, but it is meaningful to the community from whence it comes.

In early November, a team of Cotehele gardeners and volunteers assemble to begin the task of creating the garland.  Bunches of pittosporum branches are tied to a stout rope, one bunch at a time, very close together. This creates a green garland some two feet wide  and sixty feet long whose branches will capture and hold the flowers as they are stuffed in to the greens. It takes 3 people about a week’s time to transform 40 wheel barrow loads of pittosporum into a 60 foot long garland. Astonishing, this.

The garland is hung high in the air space in its green state, and large scaffolding is positioned so volunteers and staff can safely stuff flowers into the greens. The stuffing of the garland with the dried flowers takes lots of hands over the course of 2 weeks. One account says it takes 40 people two weeks to flower up the garland.

The resulting garland hung in place is magical. In a year in which the dry flowers are especially plentiful, a garland is hung on the jawbones of a whale that has framed the doorway of the great hall since 1837.

The story of the holiday garland at Cotehele is a story worth telling. So many people active in the garden for the good of all. This garland is a story about a community, a place, a gardening community, and a sense of purpose. It is a compelling story.

This holiday garland makes my heart soar. Any sincere expression of the garden is a source of great joy to me. A community garden such as this at Cotehele is a sure indication of how the love, persistence, and cultivation of a garden can benefit many. I am sure to see it in person is a breathtaking experience.

Cotehele garland 2018

If you are interested in the full story, click on the following link.

If you are also interested in why I might be talking about a holiday garland on March 11, please read on. The Cotehele garland inspired me to do a version for my newly restored cherubs.  See to follow what has occupied my hands over the past two weeks.

twisted jute rope and dry integrifolia leaves

leaves meeting in the middle

adding the flowers

garland end

I am well on my way to finishing the second garland. How I have enjoyed the magic that is making something.

 

Spring, Detroit Garden Works Style

Rob decides when we will have spring. Ha. He knows just like every other gardener that the arrival of spring is attended by many false starts and deceptive signs. And at just that moment when you feel you might black out from the last of the miserable weather, nature switches on the light. But when you have a shop devoted to fine, entertaining, antique, vintage, contemporary and irresistible ornament for the gardening season to come, you do what makes sense. You pick a date, and be ready.  We go on hiatus mid January to fix up, repaint and restyle. March 1 is our first day of spring. Containers from Europe jostle their way in between a steady stream of freight shipments from all over the US. The spring collection takes weeks to display. Rarely do we dot the last i and cross the last t in time, but we are ready for company.
Nature takes her own sweet time deciding when to finally pull the plug on winter. Nature is the queen of false starts. The change of the season-a big fluid situation.  Every gardener I know stays tuned in to that station. We are having bitterly and unseasonably cold temperatures this week. But Rob says spring is here, and we believe him. Not to mention all of our clients that have braved the cold to come in anyway, and shop.  We have a greenhouse chock full of gorgeously grown hellebores in bloom. David and Karen took a trip south in February to load up plants from a number of growers. They are perfectly happy in flower in our greenhouse at 50 degrees. Their blooms are a sure sign that early spring is nigh. They handle the cold and blustery March and April weather with aplomb. Until it is safe to plant outdoors, they are perfectly happy on a sunny window sill.

A room full of hellebores does more for the winter weary spirit than anything we can think of. So our spring opening is marked by the coming of the hellebores. But a look at Rob’s spring collection is a close second. As I have been arranging what he has purchased for weeks, I know what is there. The best part of this work is watching someone see it for the first time. For those that read my essays that are too far away to experience our spring collection, I took pictures.

The dovecotes and bird houses are English made in a classical English style, and are available in a wide range of sizes and shapes.

The skylight environment is home to plenty of pots that Rob has planted up featuring hellebores, cyclamen, primula denticulata and obconica, and the Barnhaven series of double primrose.

A new collection of lead sculpture and fountains and English stone spheres are kept company with a group of classical urns in stone and iron.

Three English handmade and hand painted pears would be terrific on a covered porch. Iron urns stuffed with faux grasses are destined for spring pots.

I did have to spring for a vase chock full of ranunculus for our opening.  How so?  Hellebores are a member of the family ranunculaceae .

White tulips seemed appropriate for a room that features more contemporary garden ornament.

This stack of stainless steel drawers is just waiting for that gardener who has a mind to make them a feature of a contemporary garden. The very large pots are vintage fiberglass. The swallows welded to a 1/4″ thick steel rod come in a five foot, and 11 foot length. Birds on a wire. They are fabricated in France, and come with the mounting hardware.

We paired round mirrors with garlands comprised of heavy duty fish line and stainless steel spheres. The chartreuse faux grass is a welcome punch of spring color.

The French company Perigot is known for their iconic buckets. These buckets, available in three sizes, are perfect for a wide range of uses, but I am most fond of the shape, and that beautiful chrome surface. It was a project, hanging them from our ceiling.  They are so heavy that we had to thread concrete wire through galvanized pipe to provide a hanging mechanism that would not bow from the weight. The Belgian made teak tables come in four sizes. The zinc framed mirror is a very strong design, and is well made to a fault.

Vintage zinc grape gathering baskets are a favorite of Rob’s.  We have a beautiful collection of them on hand. The smallest of the Perigot buckets look great stuffed with faux grasses. The miniature white painted metal butterflies only require a small nail to hang.

These wood presentation trays are a perennial favorite with our clients.  Fashioned from vintage French wine barrel tops and hand forged iron handles by a company in the US, they speak to the idea of the garden as a place to entertain.  Our better than life size vintage fiberglass cow came with a name.  Rob named her Lucy, after a French dealer who was not so interested in letting her go. Rob’s first clue? She was situated in a thriving bed of stinging nettles. How he persuaded Lucy to part with this incredible sculpture is beyond me.  How Lucy and her husband got her out of the nettles is unknown to me too.

But we are very happy to have her.  This is an example of an ornament for the garden that is eminently capable of organizing an entire landscape around her watchful eye. Lucy has an aura. I did fill a collection of spherical vases whose spouts are set on an angle with white stock. Lucy had a fragrant meadow at her feet for our opening.

Vintage English chimney pots and milk buckets have beautiful shapes and surfaces.

Big baskets woven from thick rattan have a great texture, size, and presence.

Pardon this poor picture! Serviceable English made bootscrapers are a contrast in form to the hedgehog bootscrapers. Both are made by the same company. If dirty boots are a way of life for you, we have choices.

Danish designed pots made in Italy-these are beautiful. The creamy peach color of the clay is beautiful.

This is just part of Rob’s collection from his shop fest in England. The vintage bootscraper with a stout stone base and rusted iron scraping mechanism-a one of a kind.

These locust wood casks are made in Belgium. They come in four sizes.  Impervious to weather or rot from water, they invite any gardener to plant away. For now they are home to a collection of English made iron garden stakes in various sizes set with glass globes at the top. I predict we will not have these for long.

The orange table and chairs are manufactured in Portugal.

Though the winter weather still has all of us in its grip, there is a taste of spring available at the shop.

cut pussy willow stems for spring pots

strikingly beautiful and tall fan willow

Yes, the spring branches have snow at the base of their pots. They are weathering this late winter blast as I expected. They shrug it off. We can too.

At A Glance: The Library

My last post about the restoration of the paper mache cherubs included the above picture.  The cherubs aside, I had a number of comments about my library, and requests for more information about it.  As the last time I wrote about it was in 2009, I think it is fine to address it again. I have loved books my entire life. My Mom saw to that. The gardening books I bought in my twenties were focused on the horticulture of perennial plants. The library in my thirties expanded into woody plants and shrubs. I have a well worn copy of Michael Dirr’s book “The Manual of Woody Landscape Plants”. I am quite sure I read it cover to cover multiple times. And I still use it as a reference. Landscape design drove my book purchases in my forties, and in my fifties.  I collected books about landscape design, both historic and contemporary, in countries other than my own. The additions to my library from my sixties are dominated by monographs of specific landscape designers whom I admire. Don’t get me started on the names of those designers. It would be a written wave.

But that is what a library provides. Volumes of the printed word and photographs that can answer questions, inform planting schemes and teach good horticultural practices. They tell the story of the history of the garden, and their designers. Books are a window into history, and the work of others. My library informs my practice, but better yet, it informs my life. Landscape and garden design is my profession, and my clients have the right to expect that I have a well rounded education. I find that what I read informs my work. A good garden book is a busman’s holiday for me. I make a point of researching and buying new books every year. Reading the printed page is an absorbing and compelling activity I would not do without.  Yes, I have read all of the books in my library. Some several times over. Ursula Buchan’s book “The English Garden” I have read at least 4 times.  She is a great writer.

I have arranged my library as follows. All of my books are organized by topic. The very top shelf is populated by garden reference books. I have been gardening long enough to not need those books so often. But a ladder can get me to any volume I want to consult. I go up there more often than you would think. That said, I do use the internet to research horticultural topics. That was a source that was not available to me when I I first started collecting books. I can say that a good many articles on line are poorly thought out and barely skim the surface.  I like my books.

All of my books are organized by topic. The plant reference books are at the top of the bookshelf. Other reference books? Stone in the landscape.  Brick in the landscape-and so on.   I have other sections organized around gardens and landscapes by country.  Pictured above, a slice of my books on Italian gardens.  That section includes books referencing medieval Italian gardens, villa gardens, historic gardens-and contemporary Italian gardens.

The French section is wide. For obvious reasons. French landscape design, from formal French gardens to French country gardens is a force to be reckoned with.

The English landscape design section is long enough to acknowledge it is an important precursor to American landscape design.  Jenny Blom’s book “The Thoughtful Gardener” is outstanding.

I do have a shelf section devoted to design with a particular point of view.

A run of shelf space for American gardens and landscape designers-of course.

This lower self is as much about botany as it is about nature photography.

A library is a good place to spend time. All of those pages can inform a life. Can you tell I love my library? Of course I do. Read on about the value of a library, if you wish. February is a gardener’s reading month. Yes?    

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