The Light Rings

If my memory serves me correctly, it was 7 years ago that Rob wound strand lighting around a few vintage wagon wheels, and suspended them from the ceiling of the shop for the holidays. I doubt they were on display for a week before the lot of them was purchased by an enthusiastic client. Over the next several years he designed and redesigned custom made steel circles, carefully engineered and fabricated to accept lights that would hang from a stout tree branch. Of course the light cord was disguised by a substantial hank of jute. An extension cord run up the trunk of the tree would connect to the plug at the top of the branch. They were so beautiful. Arresting. A circle of light with with no visible means of support shining in the winter night. What could be more simple and more joyful? This version of winter lighting is spare and eminently satisfying, both in its shape, and installation. Tie the ring to a substantial branch, and plug it in. Winter gardening in my zone is all about the quality of the light. Not only the body benefits from vitamin D.

A later design of Rob’s included a four pronged mechanism that would enable the light rings to be set securely into the ground, or the soil in a container. This revolutionized my winter container design. How I love incorporating lighting in winter pots. The ring set in the pot encouraged a whole new avenue of design. A few years ago, he suggested that his lighted circles had run their course, and perhaps he should move on to another design or shape. I was incredulous. Those light circles had enchanted clients both near and far. A restaurant in Newfoundland Canada bought 7 of the largest size, and five of the medium size-for their outdoor dining space. They, and countless other design and private clients both local and nation wide have spoken for those lighted circles. Year after year. I suspect I will never tire of them.

A circle is a simple shape. It is a closed and regular curve that divides a plane into two regions. The interior, and the exterior. This from Wikipedia. The interior of this light ring is inhabited by a brightly burning light burst. The exterior is the greater landscape. The circle here is a means by which to focus on a particular albeit temporary feature-the light.  A circle has no beginning or end. It’s recognizable symmetry is a source of visual delight in nature, and in designed spaces of all kinds. The circle is the basis of all kinds of graphic design, of which the polka dot dress is a familiar example. The circle was also the basis for the wheel, which makes all manner of modern machinery possible. It is interesting to note that all circles are the same, except for their diameter, and the width of their border. Circles of different materials and sizes that intersect create other shapes.

The space between 2 endpoints marked on a circle is called a chord. I do not know the history of this definition, but I can attest to the fact that landscape designs that strike a chord with a client or a viewer are engaging, and emotionally satisfying. A circle is a complete entity unto itself. A circle comes standard issue with a sense of completeness. As in the rotation of the seasons.  Though I may not have so many words to put to the experience, circular shapes and spaces evoke a response. In laying out a curved area in the landscape, I start with a chord-or a section of a circle. This is fairly easy to do, with a bamboo stake and string. Finding the center of that circle which will produce the desired chord may take a while, but eventually there will be consistently curving line.

Taking the time to draw the chord on the ground helps to eliminate the squiggles. By squiggles, I mean those bed lines that curve in and out in rapid succession around this shrub and that tree – without an overall sweeping curve that is visually cohesive. It helps to provide focus to what landscape elements belong in the exterior of that partial circle, and what belongs outside. The light ring pictured above is made from steel, but that steel does not need to be that thick. Steel rolled into a circular shape is as stable and strong physically as it appears to be. The ring celebrates the centerpiece. The pussy willow that pushes past the edge of the circle creates a relationship between the geometry of one element and the natural form of another. Both materials are stronger visually given the form of the other. The ring also compliments the rectangular geometry of the planter box, and narrower and wider rectangle of the greens. The composition without the ring would be fine. But its presence completes the composition in a way that organizes all of the other shapes and materials.

Rob has the rings made in a variety of sizes, from two feet in diameter up to seven feet. The ring pictures above is five feet in diameter – a good size considering the size of this pot. The first rings were strung with strands of incandescent twinkle lights that had brown cords.  Now we use only LED lights, for longevity’s sake. The lights go around the outside of the ring, and each bulb faces out. We ship them out with and without lights, and we have made them in custom sizes for a particular application.

This ring is hung high in a window, so it can easily be seen from the street.

Led lights produce little in the way of heat, so the snow has collected on the inside lower edge of the ring pictured above. The contrast of the snow and the light provides a little welcome interest to the winter landscape, even during the day.

This is my first year with light rings at home. I drive up to them, and I can see them from the deck above.

The 6 inches of snow that fell yesterday just made them look better.

H sent me these pictures of her winter boxes last night. She is enjoying hers too.

I have indeed talked before about these rings recently, but the fact is we are looking at more weather that looks just like this for quite a while yet. These lighted circles make it easier to bear with the winter.

 

On The Water Today

On the water today is a 40 foot container’s worth of goods for the garden that Rob bought in France last September. Some of what he bought is either antique or vintage. Other things are new. He buys what he treasures and can’t bring himself to leave behind. I like that about him. Our shipping agent in Paris collects what he buys wherever he shops in France. Some orders for new goods, no matter where they are sourced, are manufactured to order only. Thus he times his overseas shopping in the summer and early fall so we can take delivery prior to the spring season opening March 1. Once all of his purchases are packed and collected, arrangements are made to fill a container and send it on its way. It is incredible really, how much planning and traveling he does every year in support of amassing a beautiful and curated collection of objects.

Rob turns over all of his invoices and buy sheets to our internet sales and service manager, Heather D, once he returns to the states. Just one of her many responsibilities involves coordinating pickups, packing and shipping of goods that come to the shop from abroad and in the US. Doing business internationally is a complicated job. Rob places orders and buys overseas, but payment for goods whether old or new is arranged by wire transfer of funds to our shipping agent. Our agent pays for what Rob has purchased when they pick up. Heather takes the hand off from Rob, and coordinates the shipping as quickly and gracefully as possible. I greatly admire that she coordinates with him in such a way that our overseas buying results in moving many items from various places in a European country to our doorstep in an efficient and timely way.

The shipping from a big group of vendors/suppliers in Europe to our shop takes time. There are always problems, and negotiations. Heather handles this with aplomb. I am confident in saying that all of us representing Detroit Garden Works go to great lengths to bring beautiful garden ornament to our clients. Each person plays their part. Heather gets everything to us, best way. Rob sets the prices, and all of the sales staff pitch in to tag everything. Jenny photographs all of our new things for the Detroit Garden Works website. Dave, our business manager, handles the finances.

There are other jobs that need to be done. In preparation for our spring 2018 season opening, my entire landscape crew has been busy cleaning and repainting all of the shelving and trim with fresh color via several coats of paint. A new 8′ by 8′ skylight just inside our front door will be installed early next week. Our go to painter for difficult jobs has been engaged to repaint the ceilings in our front two showrooms-for the first time in 22 years. In preparation for his week’s long work, everything in those rooms had to be moved out, so a scaffolding on wheels can access every square inch of our 14 foot high ceilings. We are ready for him, ahead of his February 1st start date. We will be on hand to help him mask off the walls and the track lighting. As shipments and containers come in, the landscape company
will take on the unpacking  and placement of most every substantial and heavy item.

Only Heather would say that importing goods from the European continent to the US is easy. It is in fact a complicated affair, dealing with multiple vendors, import rules and regulations and shipping. She is incredibly focused and for good measure and balance, incredibly patient. She communicates via telephone and the internet in such a friendly and productive way. All of my group and all of our vendors truly appreciate her candor, good humor, and problem solving skills. She has spent a good deal of time researching and engaging companies that can deliver our goods intact, and in a timely way.

Heather also manages all of our internet inquiries, sales, and shipping arrangements for both , and   We do business nation wide, with individual clients, and design firms. She is client services oriented, and she is not afraid to take on a project that is difficult or complicated. She has made it her business to become familiar with everything we offer for sale, so she can speak knowledgeably about them, and answer questions.

Why all this talk about Heather? I regret to report that Heather D, our internet sales manager, has accepted a request from her brother to return to the family business. Even though she will be sorely missed, I wish her well. She has graciously agreed to stay long enough train a new person for her position. I am very glad that our new internet sales manager to be will have the benefit of all of the systems she has put into place the past three years.

If you or someone you know is interested in a fast paced and variable sales and client services position that evolves day to day, supported by a great and closely knit group of people with a big passion for the garden, let me know by email at [email protected]  I can email you the job description and responsibilities, so you can take a closer look at what would be involved. I am open to professional people from other fields, but a sense and interest in design is key.

I am looking forward to the season to come. We have three containers set to arrive in the next month. It is hard to believe that February in the garden industry could be chaotic, but in our case, it is.  We have to be ready for company March 1. The chaos is somewhat mitigated by the fun of seeing what is in all of those packages. It’s a birthday party for Detroit Garden Works.

I have had this photograph of a pair of French pots for months, but it is nothing what it will be to see them in person. I am very keen about these. A very traditional French pot shape has a decidedly contemporary look created by the glaze. Are these new or old? I have no idea, yet.

Rob is a fan of dolly tubs, and I understand why.  They are happy in a contemporary or traditional setting. The planting space is generous. They are lightweight and weatherproof.

This is a closeup of a new glaze from a French pottery. I can’t wait to see these in person too. These pots will be every bit as welcome in a variety of settings as a dolly tub, but they are heavy, and will need to come in for the winter in a northern garden. There will be someone who is not in the least bit daunted by this. For a while, I will be able to look at it, any time I choose. As for Heather, she gave a lot for the while she was with us. As much as I am reluctant to let go, there will be a new person who brings their own style and sensibility to the mix. I look forward to meeting them.

 

 

 

 

Snow Glow

Blue skies and fluffy clouds the likes of which are pictured above are a rarity in a Michigan January. It is a bleak time of year, featuring uniformly gray-sky days, a lengthy twilight, and long ink black nights for what seems much longer than a month. February will bring more of the same. If this does not sound very appetizing, you are right. It isn’t. For that reason alone, snow can be a welcome visual addition to the landscape. Not those mountains of snow that make shoveling, walking and driving a dangerous and exhausting full time job. A new two to four inch layer of fresh snow describes all of the shapes both living and not in the landscape with a precisely applied thick carpet of bright white. A little judicious wind can whip up some interesting snow shapes on fences, benches and sculpture. Snow is water vapor in the atmosphere that turns to ice crystals without ever passing through a liquid phase. Multiple ice crystals make snow flakes. That lightweight flaky stuff can enliven a winter landscape. At least the cold comes to some good.

Our snow came early, and persisted. 3 weeks of bone chilling cold made sure it was not going anywhere. Then a week ago, a few days in the high forties reduced the mass of it considerably. The landscape was going dark again. The light in my winter containers was welcome. Providing light for the landscape is never more important than providing it in the winter. Great landscape lighting can go so far as to illuminate the structure of the winter landscape during the gray and dark days. In its simplest form, it can light the way from here to there. Seasonal/temporary lighting can add a sculptural element to the winter garden.

I especially like a lighting component in winter pots. Not only does it illuminate the materials and shape of the winter container itself, that temporary glow spreads out and encompasses the immediate environment. New technology which has produced warm and flexible LED string lighting that draws little energy, is shatterproof and good for 50,000 hours means it has never been easier or more economical to boost the light in a winter landscape. Adding arrangements to garden pots for the winter season is a must have in my garden. Lighting them means is is possible to enjoy them day and night.

Weaving light strings into the greens in a winter pot, and piling them up at the base of a centerpiece is a fairly simple task. The results are striking from a distance outdoors. And they provide so much visual interest from indoors. One client likes us to wrap the bottom 7 feet of the trunks of 4 columnar gingkos that frame the entrance to her house. She runs those lights all winter long, as they illuminate the way, and say welcome to my door. Temporary landscape lighting done in November that can light the night until the days start to lengthen is a feature of my winter landscape.

Once we had more snow, that temporary lighting was providing snow glow. Each tiny LED light that is virtually invisible during the day was magnified by the snow at night. Ice crystals meeting LED string lighting-beautiful. I miss the digging, the planting, the watering, the staking, the dividing and all else that a landscape and garden provides as much as any other gardener. But the winter has its pleasures.

The snow glow emanating from my pots lights the surrounding landscape in places I can see from inside. Planning for good views out the windows in winter is just acting on one’s own defense. The gloom can be penetrating, as is goes on so long. Is this a substitute for a summer day in the garden?  No. But expecting it to only makes one long for another time and place. The winter is its own season, and there are things that can be done to make something beautiful of the dark. Winter is the only season of ours in which an expression like this is possible.

Our snow is melting again.  We have rain this morning. But there will most assuredly be more snow before the winter is over.

Though creating sculptures with temporary lighting is a winter activity with all kinds of benefits, permanent landscape lighting is a feature I would recommend to any gardener. I like my front porch lit at night. I like my sidewalk lighting just as much. My house is set almost 4′ above the grade at the sidewalk. I would not want guests to have to negotiate 3 sets of steps without proper lighting. Big pools of light come courtesy of the snow.

 Landscape lighting is all about trying to endow the winter season with some visual interest. This pot is on axis north and south with the sidewalk, and east and west with the den windows. That placement makes it possible to enjoy this from multiple vantage points.

Yesterday morning at dawn, my snow covered winter pots were, in my opinion, the best intersection of electricity and snow that I have ever devised. Fire and snow look good together.

Those LED lights can set a a landscape on fire. Inspired to walk through the snow on the upper deck, a long exposure reveals how bright that temporary lighting can be. I can see Milo in the yard-nice. This past summer, I took all of the landscape lighting out of the trees, and placed them facing up against the fence. That permanent lighting is much more subtle, and silhouettes the trunks of the maple trees and the branches of the yews. This is the best of both lighting worlds that I have to offer my winter landscape.

 

 

At A Glance: More On The News From Branch

The Stuart garden dining table was so many years in the making. To see that table in production is a dream come true. I am a designer, first and foremost. To see a design come together and get built is what keeps me designing.

I am very lucky to have a steady stream of clients asking for landscape design. Everyone who approaches me for design is individual-and different. I appreciate that. My landscape design firm is very busy. But the years I have spent designing this garden dining table came from a different part of my design heart. So happy that Branch is ready to ship.

Ipe foot detail on the Stuart garden table

Stuart table top detail

Stuart table base detail

Stuart tables

Buck’s first bar edge rendition of the Stuart table, 2005

First 21 foot long Stuart table in place, 2006

The Barry tapers

The interior of the barry tapers

The square Barry tapers

The leg and flange detail on the square Barry tapers

The rim detail on the round Barry and square Barry tapers

the metro pots

the metro pot interior top rim helps keep the steel sides straight during the galvanizing process.

the interior of the metro pot.  The holes in the corners are required by the galvanizing plant, so zinc does not get trapped under this rim.

the basin (58″ top diameter)  and bowl (40″ top diameter)

exterior detail on the bowl

bowl interior

the square Hudson tapersthe square tapered Hudson pot bottom is comprised of 2 loose plates that sit on a rim. This helps the molten zinc to drain off the pot quickly. And it helps to insure that water drains away just as quickly.

The Dean pots

The Dean elliptical fountain

the brake form fountain

custom table and benches

Buck designed and fabricated these lattice strap steel spheres from an idea he had-no drawing. He tried to explain to me what a classic lattice pattern would look like in 3 dimensions – to no avail. Now I see. They have been a mainstay of our collection for a good many years. I am pleased to see these spheres have some contemporary style company. We are installing a pair of custom made and very contemporary planter boxes from Branch this morning-more on that later.

 

 

 

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